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  • Google Acquires YouTube for $1.65 billion

    Google Acquires YouTube for $1.65 billion

    Early YouTube homepage (2005)
    Early YouTube homepage (2005)

    Google Inc. is snapping up YouTube Inc. for $1.65 billion in a deal that catapults the Internet search leader to a starring role in the online video revolution.

    The all-stock deal announced Monday unites one of the Internet’s marquee companies with one of its rapidly rising stars. It came just hours after YouTube unveiled three agreements with media companies in an apparent bid to escape the threat of copyright-infringement lawsuits.

    The price makes YouTube, a still-unprofitable startup, by far the most expensive purchase made by Google during its eight-year history.

    Although some cynics have questioned YouTube’s staying power, Google is betting that the popular Web site will provide it an increasingly lucrative marketing hub as more viewers and advertisers migrate from television to the Internet.

    “We are natural partners to offer a compelling media entertainment service to users, content owners and advertisers,” said Eric Schmidt, Google’s chief executive officer.

    YouTube will continue to retain its brand, as well as all 67 employees, including co-founders Chad Hurley and Steve Chen. The deal is expected to close in the fourth quarter of this year.

    “I’m confident that with this partnership we’ll have the flexibility and resources needed to pursue our goal of building the next-generation platform for serving media worldwide,” said Hurley, YouTube’s 29-year-old CEO.

    “One of the problems with YouTube is that they’ve been known to carry copyrighted material without the permission of the copyright holders,” Magid said.

    But Hurley and Chen, 27, have spent months dealing with the copyright hurdle by cozying up with major media executives in an effort to convince them that YouTube could help them make more money by helping them connect with the growing number of people who spend most of their free time on the Internet.

    While Google has been hauling away huge profits from the booming search market, it hasn’t been able to become a major player in online video.

    That should change now, predicted Forrester Research analyst Charlene Li. “This gives Google the video play they have been looking for and gives them a great opportunity to redefine how advertising is done,” she said.

    Investors applauded the possible acquisition as Google shares climbed $8.50, or 2 percent, to close at $429 on the Nasdaq Stock Market.

    Several other suitors, including Microsoft Corp., Yahoo Inc. and News Corp., reportedly have discussed a possible YouTube purchase in recent weeks.

    “This deal looks pretty compelling for Google,” said Standard & Poor’s analyst Scott Kessler said. “Google has been doing a lot of things right, but they are not sitting on their laurels.”

    Google’s YouTube coup may intensify the pressure on Yahoo to make its own splash by buying Facebook.com, the Internet’s second most popular social-networking site. Yahoo has reportedly offered as much as $1 billion for Palo Alto-based Facebook during months of sporadic talks.

    “Yahoo really needs to step up and do something,” said Roger Aguinaldo, an investment banker who also publishes a deal-making newsletter called the M&A Advisor. “They are becoming less relevant and looking less innovative with each passing day.”

    Selling to Mountain View-based Google will give YouTube more technological muscle and advertising know-how, as well as generate a staggering windfall for a 67-employee company that was running on credit card debt just 20 months ago.

    Since Hurley and Chen founded the company in February 2005, YouTube has blossomed into a cultural touchstone that shows more than 100 million video clips per day. The video library is eclectic, featuring everything from teenagers goofing off in their rooms to William Shatner singing “Rocket Man” during a 1970s TV show. The clips are submitted by users.

    “What’s nice from YouTube’s perspective is that they don’t even have to pay for a lot of that content,” reported Magid. “Much of it is uploaded by people who just want to use the service to show off their talent.”

    YouTube’s worldwide audience was 72.1 million by August, up from 2.8 million a year earlier, according to comScore Media Metrix.

    YouTube’s conciliatory approach with major media has recently yielded several licensing and promotional agreements that have eased some of the copyright concerns while providing the company with some financial breathing room until it becomes profitable.

    To conserve money as it subsisted on $11.5 million in venture capital, YouTube had been based in an austere office above a San Mateo pizzeria until recently moving to more spacious quarters in nearby San Bruno.

    As its negotiations with Google appeared to near fruition, YouTube on Monday announced new partnerships with Universal Music Group, CBS Corp. and Sony BMG Music Entertainment. Those alliances followed a similar arrangement announced last month with Warner Music Group Inc.

    The truce with Universal represented a particularly significant breakthrough because the world’s largest record company had threatened to sue YouTube for copyright infringement less than a month ago.

    Li and Kessler expect even more media companies will be lining up to do business with YouTube now that Google owns it.

    “It’s going to be like, ‘You can either fight us or you can make money with us,”‘ Li predicted.

  • Killer looks. Killer instincts. No conscience

    Killer looks. Killer instincts. No conscience

    AMERICAN PSYCHO (2000)

    Director: Mary Harron
    Screenplay: Mary Harron & Guinevere Turner
    Cast: Christian Bale (Patrick Bateman), Willem Dafoe (Donald Kimball), Jared Leto (Paul Allen), Reese Witherspoon (Evelyn Williams), Chloë Sevigny (Jean)
    Genre: Satirical Psychological Horror/Dark Comedy
    Runtime: 102 minutes

    THE NYBUDGETS MOVIE REVIEW Rating: ★★★★☆ (4/5)
    Tagline: “Killer looks. Killer instincts. No conscience.”


    Set in the opulent, greed-driven landscape of 1980s Manhattan, American Psycho follows Patrick Bateman, a superficially flawless investment banker whose life revolves around designer suits, exclusive restaurants, and a meticulous skincare routine. Beneath his polished exterior, however, Bateman harbors a murderous alter ego, indulging in increasingly violent fantasies. The film oscillates between his gruesome acts and his vapid social circle, blurring the line between reality and psychosis. As his grip on sanity slips, the narrative questions whether his crimes are real or mere delusions of a fractured mind.

    A scathing satire of Reagan-era consumerism, American Psycho dissects the hollowness of capitalist excess. Bateman’s obsession with status symbols—business cards, reservations at Dorsia, and Huey Lewis albums—mirrors the era’s moral bankruptcy. Director Mary Harron masterfully balances horror and dark comedy, using hyper-stylized violence (e.g., the iconic axe murder) to underscore the absurdity of Bateman’s world. Christian Bale delivers a career-defining performance, oscillating between chilling detachment and manic glee. His monologues, like the deadpan analysis of Hip to Be Square, are both hilarious and unnerving.

    The film’s ambiguity—particularly its unresolved ending—sparks debate. Is Bateman a killer shielded by privilege, or a narcissist inventing grandeur? Harron leaves it open, forcing audiences to confront their complicity in glorifying monsters. Critics initially divided over its graphic content; Roger Ebert dismissed it as “morally vacant,” while others praised its intellectual audacity. The script’s razor-sharp dialogue (“I have to return some videotapes”) and supporting cast (Willem Dafoe’s sly detective, Jared Leto’s smug victim) elevate the tension.

    Iconic Quotes:

    • “I have to return some videotapes.” – Patrick Bateman
    • “There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me.” – Patrick Bateman
    • “Don’t just stare at it. Eat it.” – Patrick Bateman (during a horrifyingly absurd date)