Tag: 60 Minutes

  • Trump may live to regret suing Murdoch for libel regarding Epstein’s birthday card

    Trump may live to regret suing Murdoch for libel regarding Epstein’s birthday card

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    Donald Trump, Jeffrey Epstein and Rupert Murdoch in New York County Supreme edit. © Alan Woodward/The NewYorkBudgets

    Donald Trump has never shied away from a fight. In fact, it’s practically his brand. But in launching a $10 billion libel lawsuit against Rupert Murdoch, Dow Jones, and two Wall Street Journal reporters over a birthday card allegedly sent to Jeffrey Epstein, Trump may have walked into a legal minefield of his own making.

    The lawsuit centers around a Journal story detailing a bizarre 2003 birthday card supposedly authored by Trump to Epstein. According to the article, the note contained several typed lines framed by the outline of a naked woman, hand-drawn in thick marker. The letter reportedly included a third-person conversation between “Trump” and Epstein, with enigmatic phrases such as “enigmas never age” and the cryptic sign-off: “A pal is a wonderful thing. Happy Birthday — and may every day be another wonderful secret.”

    Trump has vehemently denied authorship of the card. In a furious social media post, he declared: “These are not my words, not the way I talk. Also, I don’t draw pictures.” He further asserted the note was a forgery fabricated by “unnamed Democrats,” and called the Journal a “useless rag,” promising “a POWERHOUSE Lawsuit against everyone involved.”

    For Murdoch, 93, and Trump, 78, this isn’t their first confrontation. The media mogul’s outlets — most prominently Fox News and the Journal — were skeptical of Trump during the 2016 primaries before eventually aiding his path to the presidency. Their relationship has since oscillated between strategic alliance and mutual contempt. But this lawsuit could mark a definitive rupture.

    The legal hurdles Trump faces are towering. The landmark Supreme Court case New York Times Co. v. Sullivan (1964) still stands — despite Justice Clarence Thomas’s wish to revisit it. Under Sullivan, public figures suing for libel must prove “actual malice” — that the publisher knowingly printed falsehoods or acted in reckless disregard for the truth. That’s a near-impossible standard to meet when the defendant is The Wall Street Journal, not a tabloid like the National Enquirer.

    Moreover, reports suggest the card came from Department of Justice archives. If so, the Journal’s sourcing may have been both legitimate and well-documented. Dow Jones has vowed to “vigorously defend” its reporting, stating, “We have full confidence in the rigor and accuracy of our journalism.”

    If Trump hoped to intimidate Murdoch into silence or submission, he may have miscalculated. Libel suits, historically, are double-edged swords — especially for the plaintiff. They often invite forensic dissection of the very allegations the plaintiff seeks to bury. Legal legend Roy Cohn, Trump’s onetime mentor, famously advised clients: “Never sue for libel.” The reasons are obvious. Oscar Wilde, Alger Hiss, Gen. William Westmoreland, and Ariel Sharon all sued — and saw their reputations battered further. Some even ended up in prison.

    Trump’s reputation is already uniquely impervious to additional tarnish. A New York jury found him liable for sexually abusing writer E. Jean Carroll. He’s been convicted of 34 felony counts related to hush money payments to adult film actress Stormy Daniels. His boasts about women and his own sexuality — including in the notorious Access Hollywood tape — are publicly etched in American memory.

    So what’s the damage here, really?

    Legal analysts suspect Trump’s motivations may have more to do with uncovering sources through discovery than restoring his name. His lawyers have already requested that Murdoch be deposed quickly, citing his advanced age and reported health concerns. “I hope Rupert and his ‘friends’ are looking forward to the many hours of depositions and testimonies,” Trump posted. That may sound like bravado, but it betrays an ulterior aim: flushing out who leaked the card and what else they may know.

    But discovery cuts both ways. Murdoch’s attorneys will be free to interrogate the origins and nature of Trump’s long, checkered relationship with Epstein — one that spanned at least 15 years. How close were they? Did Trump know about Epstein’s illegal activities? Did he ever participate, enable, or turn a blind eye? Why did their relationship allegedly sour in 2004 over a Palm Beach mansion? Was that really the end?

    Those depositions may expose far more than Trump bargained for — not just about his ties to Epstein, but about his broader conduct and associations.

    Trump has filed and settled media lawsuits before. He reportedly reached a $15 million agreement with ABC after George Stephanopoulos mistakenly said he had been “convicted of rape.” A recent $16 million CBS settlement over a 60 Minutes segment seemed more about easing Paramount’s merger path than Trump’s legal merit. But those cases were relatively tame compared to what this Journal suit could unleash.

    Murdoch’s legal team is not likely to blink. While The Wall Street Journal ran a curious follow-up story on Epstein’s “Birthday Book” that included letters from Bill Clinton and billionaire Leon Black, it offered little new insight — possibly a strategic nod or an effort to show editorial balance. But sources close to the matter insist Murdoch has no intention of settling.

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    Ghislaine Maxwell and Jeffrey Epstein with President Bill Clinton at the White House in 1993. © THE WILLIAM J. CLINTON PRESIDENTIAL LIBRARY/MEGA

    And perhaps he shouldn’t. Trump is often at his most reckless when wounded. Peggy Noonan aptly observed that “he fights even when he will hurt himself, because the fight is all.” But in this case, the fight may well invite ruin. Trump could inadvertently open the floodgates to evidence, testimony, and revelations far more damaging than a birthday card.

    He may soon learn what every good trial lawyer knows: In libel litigation, the courtroom is often the last place you want your secrets to surface.

  • “60 Minutes” publicly criticized its parent company, Paramount Global, in an unusual on-air statement.

    “60 Minutes” publicly criticized its parent company, Paramount Global, in an unusual on-air statement.

    In an extraordinary on-air rebuke, one of the top journalists at “60 Minutes” directly criticized the program’s parent company in the final moments of its Sunday night CBS telecast, its first episode since the program’s executive producer, Bill Owens, announced his intention to resign.

    “Paramount began to supervise our content in new ways,” the correspondent, Scott Pelley, told viewers. “None of our stories has been blocked, but Bill felt he lost the independence that honest journalism requires.”

    A spokesman for Paramount had no immediate comment, and has previously declined to comment on Mr. Owens’s departure.

    Mr. Owens stunned the show’s staff on Tuesday when he said he would leave the highest-rated program in television news over disagreements with Paramount, CBS’s corporate parent, saying, “It’s clear the company is done with me.”

    Mr. Owens’s comments were widely reported in the press last week. The show’s decision to repeat those grievances on-air may have exposed viewers to the serious tensions between “60 Minutes” and its corporate overseers for the first time.

    Shari Redstone, the controlling shareholder of Paramount, has been intent on securing approval from the Trump administration for a multibillion-dollar sale of her media company to a studio run by the son of Larry Ellison, the tech billionaire.

    President Trump sued CBS last year, claiming $10 billion in damages, in a case stemming from a “60 Minutes” interview with the 2024 Democratic presidential nominee, Kamala Harris, that Mr. Trump said was deceptively edited. Ms. Redstone has expressed her desire to settle Mr. Trump’s lawsuit, although legal experts have called the case far-fetched.

    In his remarks on Sunday night’s telecast, Mr. Pelley presented Mr. Owens’s decision to resign as an effort to protect “60 Minutes” from further interference.

    “He did it for us and you,” Mr. Pelley told viewers of the show, which began airing in 1968. “Stories we pursued for 57 years are often controversial — lately, the Israel-Gaza War and the Trump administration. Bill made sure they were accurate and fair. He was tough that way. But our parent company, Paramount, is trying to complete a merger. The Trump administration must approve it.”

    After “60 Minutes” ran a segment in January about the war between Israel and Hamas, Ms. Redstone complained to CBS executives about what she considered the segment’s unfair slant. A day later, CBS appointed a veteran producer to a new role involving journalistic standards. She reviewed certain “60 Minutes” segments that were deemed sensitive.

    Representatives for Mr. Trump and for Paramount are involved in settlement talks, and mediation is expected to start this week.

    Mr. Pelley’s on-air monologue on Sunday night evoked a previous moment of public discord between “60 Minutes” and its corporate overseers.

    In 1995, also in a closing note to viewers, the correspondent Mike Wallace said on air that the program had chosen not to broadcast an interview with a former tobacco industry executive because managers at CBS News had given in to legal pressure. “60 Minutes” ultimately aired the interview, and the episode was later dramatized in “The Insider,” a 1999 movie starring Al Pacino as Lowell Bergman, a “60 Minutes” producer.

    Sunday’s “60 Minutes” episode also featured a segment that examined the Trump administration’s decision to reduce funding to the National Institutes of Health, including an interview with a former director who expressed his concerns about adverse effects on Americans’ health.